Tillich essays

Tillich essays Tillich was born into the family of a Lutheran pastor in the village of Starzeddel, Prussia, on Aug. 20, 1886. He studied at the university of Berlin, Tbingen, Halle, and Breslau. In 1912, at the age of 26 he was ordained a minister of the Evangelical Lutheran Church. From 1914 to 1918 he was a chaplain in the German Army. Tillich believed that the traditional concept of God no longer existed and through the rest of his life he worked at redefining the concept of God, directing men to the God beyond God. Tillich taught at several Universities in Germany until 1929 where he was dismissed, when Hitler assumed power, due to his contradictory views with the growing Nazi movement. By 1933 he immigrated to the U.S. and taught at the Union Theological Seminary until 1955. During this time of adapting to a new culture, Tillich is triggered by a single fundamental question of Who am I?. He had great concern in his preservation of his old values and their translation into the terminology of this new culture. Later Tillich went on to teach at Harvard University and the University of Chicago as well as being a guest speaker for several colleges. The comprehensiveness of his thought, which was both traditional and modern and which built bridges from religious faith to secular activities, made Tillich the most influential theologian of his time in North America. Tillich's "method of correlation" related Christian affirmations to the existential questions arising in human life and history. He described himself as living on the boundary between theology and philosophy, church and society, religion and culture, idealism and Marxism, his native and his alien land. He combined such diverse traditions as classical ontology, derived from Parmenides, Plato, and Aristotle, with modern romanticism and existentialism. Tillich relies heavily on his Christian faith and his experiences f ...

Definition of Assemblage - Art History Glossary

Definition of Assemblage - Art History Glossary (noun) - As one familiar with the word assembly might assume, assemblage is a form of sculpture comprised of found objects arranged in such a way that they create a piece. These objects can be anything organic or man-made. Scraps of wood, stones, old shoes, baked bean cans and a discarded baby buggy - or any of the other 84,000,000 items not here mentioned by name - all qualify for inclusion in an assemblage. Whatever catches the artists eye, and fits properly in the composition to make a unified whole, is fair game. The important thing to know about assemblage is that it is supposed to be three-dimensional and different from collage, which is supposed to be two-dimensional (though both are similarly eclectic in nature and composition). But! Theres a really fine, nearly invisible line between a bulky, multi-layered collage and an assemblage done in extremely shallow relief. In this large, grey area between assemb- and col-, the safest course is to take the artists word for it. Pronunciation: ah ·sem ·blahj Also Known As: construction, bricolage, collage (inaccurately), sculpture Examples: Lets save many thousands of words here and look at some pictures of assemblages done by different artists. Raoul Hausmann: Mechanical Head (Spirit of Our Age), ca. 1920Man Ray: , 1964 (replica of 1923 original)Louise Nevelson: , 1957Meret Oppenheim: , 1936Kurt Schwitters: Broad Schmurchel (Breite Schmurchel), 1924Joseph Cornell: Navigating the ImaginationRobert Rauschenberg: Combines (Exhibition Image Gallery)